the raffish
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    • El Escondite Que Persigo Me Persigue
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    • Collage #2
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    • Armando Sketch
    • neuromodulation
    • Soo Jersey
    • truant griefs
    • the blue notes

selected works of
Kevin Casey


Clerk of the Works

Some years, July is the only month
that’s free of frost in this pinetree jungle.
Had you been born a snake, you might expect

to leave your nest beneath the tumbled flagstones
for just a brief string of weeks every year,
and the few warm days on each side of these.

I sit on the porch stairs on the first day
it hits sixty and set aside my chores,
that hardly seem like work after tending

to Winter’s fever for so many months.
It’s time for the sun to show some effort,
so I’ll be the clerk of the works for the day--

I won’t criticize if the trout lilies
are nodding their heads too low in the breeze,
or complain that the robins are pitchy.

Instead, my demand for this Spring is that joy
might not seem so desperate, might not force
some invention or pursuit of beauty,

might forgo the need to recall or pretend.
A snake should be allowed to laze when it may,
and be happy for warmth where he finds it.

Stacking Wood

In October I’d help my father stack wood,
     walking a single quartered piece of oak
           or maple from the pile the pickup left

to the rows at the end of the driveway,
     cradling it in both arms, pulled to my chest
           like a relic leading a procession.

Proud to break the silence of the morning air
     with the hollow ring of each seasoned stick
           as it knocked against another, the dutiful son

couldn’t see how he slowed his father’s pace
     with his own toddling course, how each log
           had to be realigned to keep the cord face even.

Though age has grayed and checked my memories
     of that specific strain of compassion,
           the exemptions shown to the earnest child,

winter nights still find me carrying wood
     to the stove, as if the fire I keep
           in emulation of the sun might win
                 its approval, and ensure the spring's return.

South Congregational Church


For over two-hundred years of Sundays,
the grandparents have been the first to leave,
issuing in a stream from its chalky face,
then the fathers and mothers, their children
flowing past the lilacs and the graveyard.
With the pastor’s blessings on them, they file
one by one along the nave, exiting
the double doors like hopeful paratroopers
from a white-washed transport, to be cast
through the lily-soaked air into the great
unknown of another Sunday morning.

On Having Experienced General Anesthesia for the First Time at Fifty


By the cries of the children up and down
the operating wing of the hospital,
I assumed I was the oldest person
to be brought under anesthesia that day,

and so I thought I should have a firm grasp
of the risks involved with the procedure--
the possible drawbacks and reactions,
what might be lost, and what was to be gained.

And yet, waking in the recovery room,
I was startled--not by the perfect absence
of being there had been, a nothingness
much more complete than any dreamless sleep--

but rather by the lingering regret
at being brought back from that emptiness
to the frailty of this same body,
and the same sun like a scalpel, tracing
its endless incision across the sky.

Bee Heaven

I would have liked to have lived as a bee--
a fuzzy thumb humming through some meadow,
a banded thimble flying toward July,
honey-drunk by noon, trimmed with the pollen
of a thousand licentious flowers.

I’d be adored by vetch and buttercup,
white clover and rudbeckia alike,
but respected for that rapier worn
at my derriere as a warning,
for that sole drop of venom injected
as a remedy to the smallest slight.

And compelled at last by my heightened sense
of justice to use that sting and puncture
the thin veil of this life, no barb would catch,
and I would be allowed a final flight
to the heaven of a perfumed cloud
of an apple tree engulfed in blossoms,
shimmering in the waxen summer sun.

Kevin Casey is the author of Ways to Make a Halo (Aldrich Press, 2018) and American Lotus, winner of the 2017 Kithara Prize (Glass Lyre Press, 2018). AndWaking... was published by Bottom Dog Press in 2016. His poems have appeared in Rust+Moth, Valparaiso Poetry Review, Connotation Press, Pretty Owl Poetry, Poet Lore and Ted Kooser's syndicated column 'American Life in Poetry'. For more, visit andwaking.com

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  • Home
  • About
  • Stories
    • Ned's RV
    • The Beans
    • Cold Showers
    • All In
    • Sink or Swim
  • Essays
    • The Gift Of Water
    • Lessons from a Blind Serial Killer
    • Reconstructing Destruction
    • The Accountability Paradox
    • Water and Communities
  • Letters
    • Brian Ruiz to Justin McKee
    • Somehow Goodbye: Anna Bernal to Amos Bankhead
    • Letter From Mr. Happy
    • Sarah Vogel to Jesy Mulligan
    • Letter from the Editor
    • John Corley to Justin McKee
  • Poetry
    • John Corley
    • West Of Rolling Fork
    • My Husband Comments On How I've Let Myself Go
    • Yarn Ball
    • By The Delta
    • Chromatic Fragrance
    • Walking with Charles Dickens
    • Let's Talk
    • Kevin Casey
    • Couple
    • Espirit de l'Escalier
    • John Grey
  • Library
  • etc
    • El Escondite Que Persigo Me Persigue
    • House of the Cosmos
    • Collage #2
    • Watching
    • Armando Sketch
    • neuromodulation
    • Soo Jersey
    • truant griefs
    • the blue notes